Engagements

Miah Pearson soprano,
Stuart Jackson, tenor
Julius Drake, piano

Programme:
Felix Mendelssohn
Altdeutsches Lied Op. 57 No. 1
Hirtenlied Op. 57 No. 2
Suleika Op. 57 No. 3
O Jugend Op. 57 No. 4
Venetianisches Gondellied Op. 57 No. 5
Wanderlied Op. 57 No. 6
Erster Verlust Op. 99 No. 1
Die Sterne schau’n in stiller Nacht Op. 99 No. 2
Lieblingsplatzchen Op. 99 No. 3
Das Schifflein Op. 99 No. 4
Wenn sich zwei Herzen scheiden Op. 99 No. 5
Es weiss und rät es doch keiner Op. 99 No. 6

Franz Liszt

Oh! quand je dors S282/2
Enfant, si j’étais roi S283/2
S’il est un charmant gazon S284/2
Comment, disaient-ils S276/2
Quand tu chantes bercée S306a

Interval

Franz Liszt
Ich liebe dich S315
In Liebeslust S318
Gebet S331
Der Glückliche S334
Bist du S277
Jugendglück S323

Fanny Mendelssohn
Allnächtlich im Traume
Verlust
Warum sind den die Rosen so blass Op. 1 No. 3
Suleika und Hatem

Roderick Williams, baritone
Julius Drake, piano
Charlotte Blake Alston, narrator
Cristina Garcia Martin, visual artist

British baritone Roderick Williams’s “rich, burnished” voice imbues “myriad colorful nuances” (New York Times) in this recital with peerless collaborative pianist Julius Drake. Enhancing the duo’s performance of Brahms’s song cycle Die schöne Magelone are drawings by Amsterdam-based illustrator Cristina Garcia Martin and narration by internationally acclaimed storyteller Charlotte Blake Alston.

Ian Bostridge, tenor
Julius Drake, piano

Programme:
​​SCHUBERT
Das Heimweh, D. 456
Sehnsucht, D. 879
Im Freien, D. 880
Bei dir allein, D. 866
Der Wanderer an den Mond, D. 870
Das Zügenglöcklein, D. 871
Die Perle, D. 466
Freiwilliges Versinken, D. 700
Der zürnenden Diana, D. 707
Lied des gefangenen Jägers, D. 843
Normans Gesang, D. 846
Der Wanderer, D. 493
Hippolits Lied, D. 890
An die Laute, D. 905
An mein Klavier, D. 342
Der Jüngling an der Quelle, D. 300
Wie Ulfru Fischt, D. 525
Schlaflied, D. 527
An die Freunde, D. 654
Das Lied im Grünen, D. 917
Der Einsame, D. 800
Im Abendrot, D. 799

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

Places & Times
March 22, 2025 – Arrival & Registration
March 23 & 24, 2025 – 1st round | Orchestra Center NRW March
25 & 26, 2025 – 2nd round | Orchestra Center NRW
March 27, 2025 – 3rd round | Orchestra Center NRW
March 28, 2025 – Rehearsal day with the orchestra
March 29, 2025 – Orchestra finale with the Dortmund Philharmonic in the Dortmund Concert Hall
March 30, 2025 – Matinée of the prizewinners | Kokerei Hansa, Dortmund

Jury
Ian Fountain (Chairman of the Jury), Great Britain
Ingeborg Danz, Germany
Julius Drake, Great Britain
Kevin Kenner, USA
Mi-Joo Lee, South Korea/Germany
Pietro de Maria, Italy
Marianna Shirinyan, Armenia

This first Recital Hall concert of the Mahler Festival focuses on Mahler’s most beautiful songs. Today’s most important Lieder accompanist, pianist Julius Drake, flanks vocalists he admires. Scottish mezzo-soprano Catriona Morison is praised for her refined yet full voice. ‘A real star,’ according to the Times. You will also hear baritone James Newby, winner of the Kathleen Ferrier Award. He recently released the acclaimed album Fallen to Dust.

Julius Drake chose a series of songs full of drama and poetry for Morison and Newby. That poetry sometimes comes from Mahler himself, as today in Lieder eines fahrenden Gesellen. ‘When my dearest marries’ is the name of one of the songs. The lady in question did not marry Mahler, who experienced this as a ‘glowing knife’ in his heart. He processed all his frustration and sorrow in this stirring song cycle. In the five lyrical Rückert-Lieder, he shows a happier side.

During the Mahler Festival, the Recital Hall is dedicated to Mahler’s most beautiful songs. Perhaps today’s most important Lieder accompanist, pianist Julius Drake, flanks vocalists he admires. Today, these are mezzo-soprano Ema Nikolovska and bass-baritone Jusung Gabriel Park.

In Des Knaben Wunderhorn, Mahler chose his favourite texts from the very old German collection of the same name. He composed twelve sometimes fairy-tale-like songs. Love, faith, heroic deeds… everything floats by. They are sung by Macedonian-Canadian Ema Nikolovska and South Korean Jusung Gabriel Park. The latter is making his Amsterdam debut. Drake chooses to have some songs sung by the soloists together. ‘Even though they are not necessarily written as such, there are often clearly two characters speaking,’ he said in Preludium. ‘And as a duet they work really beautifully.’

The Recital Hall is dedicated to Mahler’s most beautiful songs during the Mahler Festival. Perhaps the most important song accompanist of the moment, pianist Julius Drake, flanks his favourite vocalists. Today, these are Feride Büyükdenktaş and Stuart Jackson. Together they sing the moving Das Lied von der Erde, in Mahler’s own version for two vocalists and piano.

Six narrative movements make up Mahler’s Das Lied von der Erde. He based the songs on texts about nature, death and life. He used ancient Chinese texts in German translation. A ‘drinking song on the earthly vale of tears’ is the start of a stirring series of reflections on farewell and new beginnings. Das Lied von der Erde was written for two voices. Today you will hear Feride Büyükdenktaş, a Turkish mezzo-soprano who has already shone on the major opera stages of Vienna, Stuttgard and Istanbul. British tenor Stuart Jackson gets jubilant reviews at home, and is now more and more often singing across the globe.

The Recital Hall is dedicated to Mahler’s most beautiful songs during the Mahler Festival. Perhaps today’s most important Lieder accompanist, pianist Julius Drake, flanks his favourite vocalists. Today, you hear British mezzo-soprano Fleur Barron, praised by critics for her charisma and clarity. You will also hear young tenor Laurence Kilsby, the 2022 winner of the Wigmore Hall’s International Song Competition.

Mahler’s moving Kindertotenlieder are set to texts by Friedrich Rückert. This song cycle deals with coping with the death of two of the poet’s children. Some years after its completion, Mahler himself lost his daughter. Julius Drake had already regularly performed the Kindertotenlieder with Fleur Barron. ‘Fleur has such an extraordinary voice,’ he said in Preludium.’ A mezzo, but when she sings, you can hear a contra-alt, very special.’ Drake also chose several pieces from Des Knaben Wunderhorn for this recital. For these works, Mahler based himself on old German folk song texts. Mahler drew from the same textbook before. Today, Barron and tenor Laurence Kilsby perform the Lieder und Gesänge, a song cycle Mahler wrote in his twenties.

For four days, the Recital Hall is dedicated to Mahler’s most beautiful songs. A special recital is dedicated to his wife Alma, combining pieces by her with those by friends. Perhaps today’s most important Lieder accompanist, pianist Julius Drake, flanks his favourite vocalists during all these concerts. Today you will hear French soprano Axelle Fanyo, a ‘true storyteller’ according to Forum Opéra. She shares the stage with one of the greatest Dutch talents, baritone Raoul Steffani.

Austrian Alma Maria Schindler was introduced to her future husband, Gustav Mahler, by her composition teacher Zemlinsky. Under Mahler’s name, she would become known – but never primarily as a composer. Mahler did not want his wife to write any more music, and Alma herself also had doubts about her work. Although most of it has been lost, her late-romantic, often melancholic songs are still widely performed. Here today in the Recital Hall, they alternate with pieces by friends and acquaintances. Axelle Fanyo and Raoul Steffani perform songs by Ernst Krenek, Mahler’s son-in-law. You will also hear works by Berg, Korngold and Stravinsky.

Katrīna Paula Felsberga, Soprano
Julius Drake, Piano

Programme:
Friedrich Hölderlin
Selected Poems and Texts
Reading in German

Music include settings by Peter Cornelius, Hans Pfitzner, Paul Hindemith, Hanns Eisler, Viktor Ullmann, Benjamin Britten

Until the beginning of the 20th century, few com­posers engaged with the works of Friedrich Hölderlin— it almost seems as if music had to shed tonality and for­ mal restraints to come to terms with the expressive power of the poet’s language. In this Lied und Lyrik pro­gram, Katrīna Paula Felsberga and Julius Drake explore the wide­ranging musical afterlife of Hölderlin in the “free future century” he envisioned in his 1806 Hymn to Freedom. The texts will be heard in musical settings and readings.

Anna Lucia Richter mezzo soprano
Nicy Spence tenor
Julius Drake piano

Programme:

Felix Mendelssohn (1809-1847)
Minnelied Op. 47 No. 1
Morgengruss Op. 47 No. 2
Frühlingslied Op. 47 No. 3
Volkslied Op. 47 No. 4
Der Blumenstrauss Op. 47 No. 5
Bei der Wiege Op. 47 No. 6
Minnelied Op. 34 No. 1
Auf Flügeln des Gesanges Op. 34 No. 2
Frühlingslied Op. 34 No. 3
Suleika Op. 34 No. 4
Sonntagslied Op. 34 No. 5
Reiselied Op. 34 No. 6

Franz Liszt (1811-1886)
Lieder aus Schillers ‘Wilhelm Tell’ S292/2
Hohe Liebe S307
Gestorben war ich S308
O lieb, so lang du lieben kannst S298/2

Interval

Franz Liszt (1811-1886)
Muttergottes-Sträusslein zum Mai-Monate S316
Die tote Nachtigall S291
Die stille Wasserrose S321
Es muss ein Wunderbares sein S314
Die drei Zigeuner S320/2

Felix Mendelssohn (1809-1847)
6 schottische National-Lieder
Wie kann ich froh und lustig sein?
Abendlied
Wasserfahrt

Ian Bostridge, tenor
Julius Drake, piano

Programme:
Songs after poems by Johann Wolfgang von Goethe

HUGO WOLF (1860–1903)

Gesänge des Harfners aus Goethes „Wilhelm Meisters Lehrjahre“
Wer sich der Einsamkeit ergibt
An die Türen will ich schleichen
Wer nie sein Brot mit Tränen aß

Grenzen der Menschheit
Prometheus
Ganymed
Der Rattenfänger
Wandrers Nachtlied

FRANZ SCHUBERT (1797–1828)

An den Mond, D 259
Ganymed, D 544
Wandrers Nachtlied I, D 224

Gesänge des Harfners I-III, D 478
Wer sich der Einsamkeit ergibt
Wer nie sein Brot mit Tränen aß
An die Türen will ich schleichen

Wandrers Nachtlied II, D 768
Der Musensohn, D 764
An die Entfernte, D 765
Am Flusse, D 766
Willkommen und Abschied, D 767
An den Mond, D 296

Dame Sarah Connolly mezzo-soprano
Sir Roderick Williams baritone
Julius Drake piano

Programme:

Felix Mendelssohn (1809-1847)
Geständnis Op. 9 No. 2
Wartend Op. 9 No. 3
Ferne Op. 9 No. 9
Im Herbst Op. 9 No. 5
Scheidend Op. 9 No. 6
Frühlingsglaube Op. 9 No. 8
Tröstung Op. 71 No. 1
Frühlingslied Op. 71 No. 2
An die Entfernte Op. 71 No. 3
Schilflied Op. 71 No. 4
Auf der Wanderschaft Op. 71 No. 5
Nachtlied Op. 71 No. 6

Franz Liszt (1811-1886)
Des Tages laute Stimmen schweigen S337
Die Fischertochter S325
Ich scheide S319
Der du von dem Himmel bist S279/3
J’ai perdu ma force et ma vie S327
Es rauschen die Winde S294

Interval

Franz Liszt (1811-1886)
Es war ein König in Thule S278/2
Jeanne d’Arc au bûcher S293
Über allen gipfeln ist Ruh S306
Der du von dem Himmel bist S279/2
O Meer in Abendstahl S344

Felix Mendelssohn (1809-1847)
Sonntagsmorgen Op. 77 No. 1
Das Ährenfeld Op. 77 No. 2
Lied aus ‘Ruy Blas’ Op. 77 No. 3

Christoph Prégardien, tenor
Julius Drake, piano

Programme:
FRANZ SCHUBERT (1797–1828)

Lieder after poems by Johann Wolfgang von Goethe

Am Fluße, D 766
An die Entfernte, D 756
Trost in Tränen, D 120

Gesänge des Harfners I-III, D 478
Wer sich der Einsamkeit ergibt
Wer nie sein Brot mit Tränen aß
An die Türen will ich schleichen

Auf dem See, D 543
Geistes-Gruß, D 142
Prometheus, D 674
Wandrers Nachtlied II, D 768
Erlkönig, D 328

Schäfers Klagelied, D 121
Ganymed, D 544
Versunken, D 715
An Mignon, D 161
Erster Verlust, D 226
Jägers Abendlied, D 368
Wandrers Nachtlied I, D 224
Rastlose Liebe, D 138
Meeres Stille, D 216
An Schwager Kronos, D 369
An den Mond, D 259
Willkommen und Abschied, D 767